Gold Leaf Across the World - Brunei
- by Sam Wozniak
Brunei Darussalam, a small yet remarkably wealthy nation on the island of Borneo, is synonymous with grandeur, Islamic artistry, and royal splendour. One of the most striking features of Brunei’s cultural and architectural identity is its use of gold leaf. From mosque domes shimmering under the tropical sun to intricate royal regalia and ceremonial objects, goldleaf has played a central role in expressing power, piety, and prestige.
This article explores the historical development, cultural meaning, and modern applications of gold leaf across Brunei. We examine how traditional gilding techniques, often using 24 carat or 23.5 carat gold, have been applied in religious, monumental, and decorative contexts — and how restoration ensures these surfaces endure for future generations.
Gold in Bruneian Culture: A Symbol of Sovereignty and Faith
Gold has long symbolised authority, divine favour, and prosperity in Southeast Asia. In Brunei, this symbolism is magnified by the nation’s strong Islamic identity and its absolute monarchy under the Sultan.
While gold has been used for centuries in regional trade networks, the application of gold leaf became particularly prominent during periods of architectural and ceremonial development. Unlike solid gold, goldleaf allows expansive surfaces to be covered with thin sheets of beaten 24 carat or 23.5 carat gold, creating the visual impact of solid gold at a more practical cost.
In Brunei, gold leaf is not merely decorative. It communicates:
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Royal authority
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Religious devotion
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National pride
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Cultural continuity
The brilliance of gilded surfaces reflects both sunlight and symbolic enlightenment — an important concept in Islamic art and architecture.
Monumental Gilding in Brunei’s Mosques
Perhaps the most iconic use of gold leaf in Brunei is found in its mosques. These monumental structures showcase some of the most visually striking examples of gilding in Southeast Asia.
Sultan Omar Ali Saifuddien Mosque
Completed in 1958, the Sultan Omar Ali Saifuddien Mosque in Bandar Seri Begawan is a masterpiece of Islamic architecture. Its dome, plated with pure gold, gleams above the capital city and has become a national symbol.
Although the dome appears solid gold, its luminous finish is achieved through gold leaf application and gold plating techniques. High-purity 24 carat gold is typically chosen for exterior gilding projects due to its resistance to tarnish and corrosion in humid climates.
The mosque demonstrates how gold leaf can be applied on a monumental scale, transforming architecture into a statement of spiritual and royal magnificence.
Jame' Asr Hassanil Bolkiah Mosque
Built to commemorate the 25th anniversary of Sultan Hassanal Bolkiah’s reign, this mosque features multiple gilded domes and decorative elements. The use of goldleaf here is both architectural and ornamental, highlighting calligraphy, finials, and structural features.
Exterior gilding in tropical conditions requires careful surface preparation and skilled craftsmanship. The process typically involves:
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Preparing a stable substrate
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Applying adhesive (size) suitable for outdoor conditions
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Laying 23.5 carat or 24 carat gold leaf
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Burnishing or sealing as required
The durability of high carat gold ensures that the monumental surfaces maintain their brilliance despite heavy rainfall and intense sunlight.
Royal Regalia and Ceremonial Uses of Goldleaf
Beyond architecture, gold leaf is integral to Brunei’s royal ceremonies and regalia. The Sultan’s palaces, ceremonial halls, and state objects frequently feature gilded detailing.
In royal contexts, goldleaf is used on:
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Thrones and ceremonial seating
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Carved wooden panels
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Frames and insignia
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Traditional weapons and accessories
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Processional objects
Gilding enhances carved woodwork, emphasising patterns and floral motifs influenced by Malay and Islamic design traditions. In these applications, 23.5 carat gold is often favoured for its balance between durability and traditional colour tone.
The Istana Nurul Iman, the Sultan’s official residence and one of the largest palaces in the world, incorporates gold detailing throughout its interiors. While not all elements are gold leaf, gilding techniques play a crucial role in achieving the palace’s opulent aesthetic.
Islamic Art and Decorative Gilding
Islamic art avoids figurative imagery in religious contexts, focusing instead on geometry, arabesques, and calligraphy. Gold leaf enhances these intricate designs by catching light and adding depth.
In Brunei, goldleaf is applied to:
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Quranic calligraphy panels
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Mihrab surrounds
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Interior domes
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Decorative ceilings
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Wooden mashrabiya-style screens
The use of 24 carat gold is particularly important in religious settings because pure gold does not tarnish. This permanence symbolises the eternal nature of faith and divine truth.
Gold dust may also be incorporated into paint or lacquer to create subtle shimmering effects, complementing full leaf gilding.
Traditional Craftsmanship and Techniques
The art of gilding requires skill and precision. Although modern materials are available, traditional techniques remain respected in Brunei’s decorative arts.
The basic process includes:
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Surface preparation — sanding, sealing, and smoothing
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Application of bole or primer where appropriate
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Brushing on adhesive size
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Laying delicate sheets of gold leaf
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Burnishing for shine
Because gold leaf sheets are extremely thin, often only microns thick, handling requires specialised tools and training. Craftsmen must work in controlled conditions to prevent tearing or wrinkling.
In Brunei, gilding knowledge has often been shared through collaboration with international artisans, especially during major mosque construction and restoration projects.
Gold Leaf in Restoration Projects
As Brunei’s gilded structures age, restoration becomes essential. Tropical climates accelerate wear due to humidity, salt air, and UV exposure.
Restoration of monumental gilding typically involves:
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Careful cleaning of surfaces
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Assessment of adhesion failure
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Removal of damaged goldleaf
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Reapplication using compatible materials
Using the correct carat is critical. 24 carat gold is preferred for exterior restoration due to its chemical stability. Lower carat alloys may tarnish over time, compromising both appearance and symbolism.
Restoration projects ensure that Brunei’s architectural heritage remains visually striking while preserving original craftsmanship wherever possible.
Modern Applications of Goldleaf in Brunei
While religious and royal contexts dominate, gold leaf is also used in contemporary settings.
Hospitality and Luxury Interiors
Brunei’s high-end hotels and reception spaces often incorporate gilded elements to reflect the country’s identity. Gold leaf appears on:
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Feature ceilings
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Decorative mouldings
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Wall panels
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Furniture accents
This continuation of gilding in modern interiors reinforces the nation’s aesthetic continuity.
Art and Contemporary Design
Local artists sometimes integrate goldleaf into paintings and mixed media works, drawing on Islamic artistic traditions while exploring modern themes.
Gold dust and fragmented goldleaf can add texture and symbolic meaning, bridging heritage and innovation.
Economic and Cultural Significance
Although Brunei is an oil-rich nation, gold remains a powerful visual representation of wealth and divine blessing. The use of gold leaf rather than solid gold reflects a balance between splendour and practicality.
Gilding allows:
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Large-scale architectural impact
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Lightweight application
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Cost efficiency compared to solid gold
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Easier restoration and maintenance
By investing in high-quality 24 carat or 23.5 carat materials, Brunei ensures long-term durability — especially in monumental applications.
Why 24 Carat and 23.5 Carat Gold Matter in Brunei
The tropical environment plays a significant role in material selection. Pure 24 carat gold does not oxidise, making it ideal for:
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Exterior domes
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Monumental finials
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Exposed architectural details
23.5 carat gold, while slightly alloyed for strength, still offers excellent durability and a rich, traditional hue suitable for interior gilding.
The choice between 24 carat and 23.5 carat goldleaf depends on location, exposure, and desired aesthetic.
The Future of Gilding in Brunei
As Brunei continues to modernise, its commitment to preserving Islamic and royal architectural identity remains strong. Gold leaf will likely continue to define major state projects and restoration initiatives.
Sustainable practices, improved adhesives, and conservation science are shaping the future of gilding. However, the fundamental appeal of goldleaf — its luminosity, permanence, and symbolic weight — remains unchanged.
In a nation where architecture reflects both faith and monarchy, gold leaf is more than a decorative finish. It is a cultural signature.
Conclusion
The history and uses of gold leaf across Brunei reveal a deep connection between material, meaning, and monumentality. From the gleaming domes of national mosques to royal regalia and modern luxury interiors, gilding plays a central role in shaping the country’s visual identity.
Whether applied in 24 carat sheets to monumental domes or used in 23.5 carat detailing for ceremonial objects, goldleaf represents sovereignty, devotion, and continuity. Through careful restoration and ongoing craftsmanship, Brunei ensures that its gilded surfaces continue to shine — both physically and symbolically — for generations to come.
Gold leaf in Brunei is not simply an embellishment. It is an enduring expression of faith, monarchy, and national pride.






