Stonehouses
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International Contemporary Artist! Alexandra Spyratos
Alexandra Spyratos was born in Kenya where she lives most of her life surrounded by the exotic beauty and wilderness of Africa. Based between Australia and Kenya, Alexandra has made two tranquil corners of the world her base, painting in her studios for exhibitions worldwide.! ! Influenced by her colourful background, translating the heat and the exotic beauty of... -
GLASS GILDING
There are many ways to glass gild from signage work for solicitors or public house through to Eglomise but covered in this particular fact sheet is gilding on glass for signage work. 1. Sketch of lettering or design prepared on thin paper. Outline traced in Brunswick Black to be seen on reserve side. Fasten to outside window taking care... -
BASIC TOOLS USED IN GILDING
1. GILDER'S CUSHION This is a piece of MDF approximately 9 inches by 6 inches. It is covered with thick blanket and the stretched over this is a soft calf skin leather, this is tacked into position to the four edges of the board. At one end and partly round two sides is a parchment or strong card windshield which... -
OIL GILDING
Oil Gilding is the process of using Oil-based size (glue) to adhere Gold Leaf, be it Loose or Transfer (Patent) to a particular surface or substrate, and is the only choice if gilding externally or damp conditions. There are several types of oil size, ranging from quick drying sizes which are 1 hour or less in drying time (ie the... -
GILDING ON STONE
When gilding externally on stone we would recommend that you use 23.5ct Gold Leaf or above, as anything lower in carat will tarnish due to the elements outside. When carving the lettering in stone, hand cut lettering will always look better than sandblasted lettering, this is because the V shape catches the light and reflects the Gold. If sandblast lettering...
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